V O I D
With V O I D CORECASS released her most personal and advanced record. It mirrors the deep confrontations of a long working process accompanied by an intense period of self-reflection. The challenge of recording a church organ meant a life’s dream coming true and very much shaped the whole sound of the record. Trying new paths comes to a head in V O I D.
Golden Antenna Records, November 2020
Composition, arrangement & mixing, instruments, sounds, field recordings and vocals: Elinor Lüdde
Recording & mastering: Role, Die Tonmeisterei
Church organ at St. Georgen Kirche Waren (Müritz)
Contains field recordings by Patrick Franke
Cover art: Manuela Kasemir
Graphic design: Fabian Bremer
MAGMA
MAGMA was inspired by a scoring-project. Like typical for CORECASS its an amalgamation of analog instruments such as harp, accordion and bells combined with designed sounds, mostly extracted from field recordings which come surrounded by a number of effects. Most instruments and sounds are analog recordings.
October 2018
Composition, recording, mixing: Elinor Lüdde
Field recordings: Patrick Franke
Mastering: Role Die Tonmeisterei
Photo: Tim Bruening
Design: Fabian Bremer
QUASAR
Second homeproduced release of CORECASS.
Accompanied by a remix from DJ and producer supaKC
Instruments, sounds, vocals, recording, producing & mixing: Elinor Lüdde
Field-recordings: Patrick Franke
February 2016
Mastering: Alex Mahn
Artwork: Barbara Lüdde
SACER
Debut and very first appearance of CORECASS. Whilst recording harp for an audiobook project, Sacer came into being. The record also means the birth of Elinor Lüdde’s interest for recording, mixing and composition and her eagerness for new grounds in sound.
On the b side of the album are 3 remixes by technical grief, Carina Posse and mod.civil.
pneuma-dor, Juli 2014
Instruments, sounds, vocals, recording & mixing by Elinor Lüdde
Mastering by Alex Mahn
Artwork by Barbara Lüdde
